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Slowly made.Quietly worn.
Heirloom kidswear from a small atelier outside Kochi. Plant fibres, hand-finished, made in numbered editions that are never remade.
Enter Almost SpringThree ways in.
The current edition, and the two wardrobes it sits beside.

Almost Spring
Edition One. Three designs, fifty of each, numbered by hand. When the fiftieth is sent, the design retires.
Enter the edition
Girls
Frocks, co-ords and festive sets in orange fibre, bamboo silk and kasavu cotton.
Discover
Boys
Shirts, kurtas and mundu sets in sugar cane, orange and corn fibre.
DiscoverEverything we makebegins as a plant.
Seven of them. Sugar cane pressed from mill waste. Eucalyptus spun in a closed loop. Orange fibre pulled from the pulp a juicer throws away. Each chosen for one reason — what it does against a child's skin in forty degrees.
01 · Mill waste
Sugar cane
After the sugar is taken the stalk is burnt. We buy the rest — pulped, spun, as cool as cotton and as soft as silk.
Mill by-product
02 · Closed loop
Eucalyptus
Processed in a closed loop where almost all the solvent is recovered. Silk-like, biodegradable, and hollow, so air keeps moving.
Closed loop
03 · Field waste
Corn
Plant-based, naturally hypoallergenic, silk-like to the touch. Gentle enough for the most sensitive skin.
Hypoallergenic
04 · Juice press
Orange fibre
Spun from the pulp left after pressing. The rarest cloth in the house — and the only fibre permitted a colour of its own.
Citrus · reserved
05 · Leaf
Pineapple
The leaf is usually burnt after harvest. Processed into Piñatex it is durable, supple, entirely plant-based. Not in a piece yet.
Not yet in a piece
06 · Grove
Bamboo silk
Broken down and re-spun into a thread that drapes like silk. Naturally antibacterial, with nothing applied afterwards.
Antibacterial
07 · Temple flowers
Rose petal
Offerings that would be composted or given to the river. Still early — nothing carries it yet. You will see it soon, in something small.
In development

The atelier
A small workshopoutside Kochi.
Everything is cut, sewn and finished in one place, by people we know by name. The crystal florets on the Pale Sky Co-ord are set one at a time. The pearls at Snowdrop's hem are sewn individually — not glued, not machine-set — and will outlast the dress. This is the part that does not scale, and it is the reason the editions are small.
Inside the atelierThe numbered edition
01
The number is decided before the first stitch
Sometimes fifty, sometimes fewer. It depends on the cloth we could get and how long the finishing takes — never on how well it might sell.
02
Each piece is numbered by hand
A cotton tag is sewn into the side seam and the number written on it by the finisher who completed the piece.
03
When the last is sent, the design retires
We do not restock, and we do not reissue in another colour next season. The pattern goes into a drawer and stays there.
04
The price never moves
The price on the first number is the price on the last. We have never marked a piece down.
Verified by others,not by us.
What each one covers


